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About

Observe, draw, pass it on.

Isabelle Mellah draws the places, characters and moments that catch her attention. Her work moves between travel sketchbooks, illustration, painting, caricature and freer practices, always with the same intention: letting line and colour tell a story.

Illustrator, live caricaturist and art workshop teacher.

Isabelle Mellah drawing in her sketchbook at her working table.
A working photograph: Isabelle drawing in her sketchbook at her worktable.

Looking before depicting

A building glimpsed from a street, a posture, an animal, a coastal landscape or an almost invisible detail can all become the starting point of a drawing. Isabelle works from this attention to the real, then lets the image move towards narrative, humour or imagination.

Browse the travel sketchbooks

Travel sketchbook: the back of a church in Porto, drawn on the spot in watercolour.
Travel sketchbook, in Porto: the back of a church drawn on the spot.Porto, arrière de l'église — original French title

Many paths, the same hand

Drawing, watercolour, painting, illustration, manga, caricature and travel sketchbooks are not treated as separate territories. Each technique opens a different way of building an image, working the material and finding one's own rhythm.

The same hand moves from a sketchbook filled on a quayside to a plate destined for a book, then to a face caught in a few lines in front of the person sitting for it. What travels from one practice to the next is not a technique: it is a way of looking, and then of choosing what deserves to be kept.

Discover her live caricatures

  • Children's illustration: a bird in full flight above the coast.
    Children's illustration of a bird in flight above the coast.Conguel à tire d'aile — original French title
  • Watercolour: an orangutan, a study of texture and transparency.
    Watercolour study of an orangutan, exploring texture and transparency.Orang-outan, aquarelle — original French title
  • Drawn character: an elegant figure held in line alone.
    Drawn character: a figure held in line alone.Élégante italienne — original French title

Learning without standardising

In her workshops, people draw, paint and work with watercolour, illustration, manga and modelling, each on a project of their own.

Progress always follows the same movement: look for a long time, try without fear of getting it wrong, understand why a gesture worked, then begin again differently. A personal voice emerges more slowly than a recipe — but it stays.

See the classes and workshops

Key facts

Who it is for
Children from age 6, teenagers, adults.
Workshops
Regular sessions in Gleizé and Villeneuve.
Artistic training
École Émile Cohl, Lyon: illustration, comics and animation.
  • Adult workshop: a pot of pencils, observed and then drawn, on the working table.
  • Workshop study: a lemon painted in watercolour, an exercise in texture and light.
  • Workshop study: an apple resting on a block of granite, a study of shadow.

Work produced in the studio. Only protected web reproductions are shown here.

A path, not a straight line

Isabelle discovered the pleasure of drawing as a teenager, then set her pencils aside. She came back to them at twenty-eight and never let go: a sketchbook in her bag, journeys sketched on the spot, caricatures of the people around her. After training as an environmental engineer, she changed direction and studied illustration, comics and animation at École Émile Cohl in Lyon, before going on to draw live at events.

Isabelle Mellah, facing the camera.
Portrait of Isabelle Mellah.

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