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About

Looking, drawing, passing on.

Isabelle Mellah draws the places, characters and moments that catch her attention. Her work moves between travel sketchbooks, illustration, painting, caricature and freer practices, always with the same intention: letting line and colour tell a story.

This content is currently available in French. View the French version

Looking before depicting

A building glimpsed from a street, a posture, an animal, a coastal landscape or an almost invisible detail can all become the starting point of a drawing. Isabelle works from this attention to the real, then lets the image move towards narrative, humour or imagination.

Several paths, one hand

Drawing, watercolour, painting, illustration, manga, caricature and travel sketchbooks are not treated as separate territories. Each technique opens a different way of building an image, working the material and finding one's own rhythm.

Learning without standardising

In her workshops, Isabelle guides teenagers and adults as they discover pictorial techniques and develop personal projects. The aim is not to reproduce a single model, but to understand the tools, dare to try, and let a personal style emerge.

  • Atelier adulte : un pot de crayons observé puis dessiné, sur la table de travail.
  • Étude d'atelier : un citron peint à l'aquarelle, exercice de matière et de lumière.
  • Étude d'atelier : une pomme posée sur un bloc de granit, travail des ombres.

Work produced in the studio. Only protected web reproductions are shown here.